By pam newton, Sep 3 2017 02:55PM
Considering the materials to use becomes vital when considering longevity of the cloth vs sustainability. The project, indeed a BA Textiles degree is always about cloth, yarns and construction of durable, fit for purpose cloth. Creating sustainable cloth, develops further considerations; to produce contemporary cloth that has a circular life.
Looking to the landscape for inspiration, answers some of these considerations. The identity of place is quite often bound up in the flora, fauna and foe of the landscape, adapted to survive in the identity of its landscape.
Wool; in my opinion, one of both Wales and Scotlands undervalued commodities is an obvious choice. The 'how' to make it contemporary and exploit its qualities come from the processes. For me, spinning is a meditation.; feeling that fibre slip threw my fingers in rhythmic salute to the landscape it comes from. Creating texture by applying different combing, carding or plying techniques. Colouring with flora, fauna and foe to create a truly sustainable product to work with; unique to my style, interpretation and needs. I find this is one of way I can truly bring authenticity into my work.
Using fibres made from vegetable matter whilst traditional in the form of fibres such as flax (linen), cotton and nettle are now a growing market for contemporary design. With fibres such as bamboo, tencel and hemp finding their way way into more prominent design and use.
For a previous Haute couture module last semester I indulged my desire to work with metals, using a very fine 0.002mm wire woven together with natural dyed threads of the above. I would like to explore this further, especially within the art context both to standalone and accompany designs.
The blending of fibres together to spin is also something I enjoy and wish to epxlore further, creating unique textures . Juxtaposing the qualities to reflect the contrast found within a landscape; as well as those both seen from afar and up close. Different effects are created, reflecting the diversity of its identity; the layers of depth, transparency and clarity.
To colour; natural dyes, pigments and inks created by myself, through the alchemy of the natural world is my choice. Taken from the land to be put back into it once the cloth wears, with an understanding of the power of the chemistry involved. For nature, is powerful, chemical and can be dangerous if not respected like the power of the elements.